Writer-director Anthony Schatteman’s film about a blossoming romance between two Belgian teenage boys has few surprises, but there’s something to admire in its relentless positivity.

This week we go back in time to the 1950s and 60s to explore the Archive's pioneering past and look ahead to Heritage Open Day.

Among a number of post-war British films testing the stereotypically wholesome depiction of mothers and daughters, The Woman in the Hall features Jean Simmons playing a young woman who is driven to ...

Packed with notes, sketches and Polaroids, this shooting script for Sally Potter’s film of Virginia Woolf’s Orlando illustrates the complexity of one of cinema’s undersung roles: the script supervisor ...

From Stalker to Hard to Be a God: as a wild Czech New Wave sci-fi farce surfaces on Blu-ray, we survey the unhinged dystopias and mind-bending metaphysics of the best science fiction films from ...

A young couple move to the countryside and are overcome by a magnet-like attraction that threatens to fuse their bodies together permanently in Michael Shanks’s gruesome yarn.

Using a DV camera and successive iPhones, Mapplebeck threads together 20 years of her and her son’s lives with humour, warmth and honesty.

The BFI’s highest honour recognises the huge global impact of Mulvey’s work through her groundbreaking writing and filmmaking, including her seminal essay ‘Visual Pleasure and Narrative Cinema’.

Lucile Hadžihalilović’s dark and mesmerising modern fairy tale, which won the Silver Bear at Berlin, will be in cinemas in the UK and Ireland from 21 November.