Only John Waters could pull off emceeing a New York Film Festival double feature of Gaspar Noé’s abrasive acid trip “Climax” and Pier Paolo Pasolini’s harrowing art-meets-exploitation, anti-fascist ...
”You may need psychiatric care afterwards—something, unfortunately, the New York Film Festival cannot offer tonight.” The McDonald’s bag stank up the entire car. We had originally planned on indulging ...
This 1975 film was banned almost everywhere due to the presence of graphic scenes of torture, nudity, and gore in it. The 1970s saw a rise of experimental cinema in Europe, where mainstream films ...
And a very happy “Salò” Day to you, my fellow feces feasters! We’re in the steaming, hot, thick of summer here at IndieWire, where we’re celebrating the 1970s for our annual decade week. Yes, it’s ...
'70s Week: Waters talks the shocking Italian classic "that people were insane from" and how Pasolini's horrific, anti-fascist vision figures into his own art-meets-exploitation-film aesthetic. (As ...
Pasolini’s final film was released weeks after he died in a brutal attack, during which he was struck repeatedly, run over with a car, and set on fire. The repulsive-yet-beautiful magnum opus that ...
'70s Week: From "Pink Flamingos" and "Jackass" to "The Help" and "The Human Centipede," IndieWire gets neck-deep in cinematic coprophagia. Anyway, it’s “Salò” Day! Have you put out your Blu-ray case ...
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