CHRISTOPHER Knight’s principal criticism of the “Buddhist Meditational Art” exhibition at the Los Angeles County Museum of Art (“Overstating the Religious?” Oct. 6) is that it focuses too much on the ...

Spiritual and religious artwork hangs in the Springville Museum of Art for the 38th annual exhibition. Over 275 pieces were displayed. (Abi Falin Horspool) On Wednesday, Oct. 16, the Springville ...

Religious art, in modern times, has fallen from the liveliness of the Renaissance, when religion was civilization and men brought a homely vitality to their church art. John Singer Sargent’s* symbolic ...

The art historian James Elkins tells of his experience as one of four jurors for the 1990 exhibition “Revelations: Artists Look at Religions.” It was a big show with several famous artists in it, ...

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A motion picture depictive of the life of the Blessed Virgin is now in preparation by The Catholic Art Association, which has been making Catholic pictures for seven years. Its purpose is “to ...

In the same way that western music has its roots in religious tradition, the interconnectedness between religion and art has been symbiotic; both evolving codependently to reflect social, cultural, ...

Edward Berger didn’t grow up Catholic. “I was raised outside the church, but if we went, it would be the Protestant Church,” he says over the phone. But when he was 9, he attended a Catholic Mass with ...

W riting about religion is funny. The category is so encompassing as to include in its godlike scope even logical opposites and antinomies, such as belief and unbelief, the otherworldly and the ...

"Chinese Religious Art is a broad survey of the origins and development of the various forms of artistic expression of Chinese religions. The study begins with an overview of ancient archaeology in ...

On April 2, 1980, Andy Warhol met Pope John Paul II in St. Peter’s Square. John Paul was in the first bloom of his pontificate, and his image as a young, strong, independent-minded world citizen had ...

Two small exhibitions, one at the Met Cloisters, the other at the Wallach Art Gallery, bring the personal and political dynamics of devotional art to the fore. By Holland Cotter In 1983, at Japan ...