Ring! Ring! Are you ready to answer the call of The Black Phone 2? Directed by Scott Derrickson, who co-wrote the script with C. Robert Cargill, the 2025 sequel picks up four years after the original ...
Not that long ago, while talking horror movies with an Asian film critic, I mentioned that ghost stories (especially the Japanese kind, where spirits haunt the living until some unresolved injustice ...
The Black Phone takes place in the late ’70s, a time before the internet and Amber alerts. From what we can infer about The Grabber, he’s been killing children for a long time before he captures ...
Jason Blum hit the CinemaCon stage Wednesday in a “Five Nights at Freddy’s” costume to discuss the three sequels on the Blumhouse slate and introduce clips from each — including “The Black Phone 2.” ...
This review is based on a screening which took place at the 2025 Fantastic Fest Film Festival. Black Phone 2 will be released theatrically in the United States on October 17. The Grabber returns in ...
Gaby Shedwick is a senior author for Collider, joining in December 2023. During her undergraduate Sociology degree at the University of Warwick, she found a real love for horror cinema, writing her ...
Just when we thought the Grabber was gone for good. He and his terrifying mask are back. He’s dead in our world, but that doesn’t mean his power is gone. In Black Phone 2, it looks like he’s an attack ...
The interviews The brain behind QWOP has spent 20 years perfecting the art of failure Inside Pluribus, a Better Call Saul reunion so secret its star can barely explain it Final Fantasy Tactics remake ...
Four years ago, Finn (Mason Thames) killed his abductor and escaped, becoming the only survivor of Ethan Hawke's Grabber, but true evil transcends death. In Black Phone 2, Gwen (Madeleine McGraw) ...
With our first look at Black Phone 2, the definite-article-free sequel to The Black Phone, we got confirmation of a strong premise for Scott Derrickson’s follow-up: since serial killer The Grabber ...
Director Scott Derrickson brings an evocative analog texture to keep the scares coming from Ethan Hawke's (now-dead) devil-masked killer. Derrickson has no choice but to adapt, which he does quite ...
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